A curated collection of 300 classical works and cycles: symphonies, concertos, keyboard music, opera, chamber and choral music. Explore composers, background and listening guides.
One entry per work or cycle. Whole symphonies, operas and sets count as one entry. The collection draws on the supplied candidate lists and is presented alphabetically rather than as a definitive ranking.
300 matching works | Showing 176-200 | Page 8 of 12
Composition: 1788
Mozart's E-flat symphony begins with a substantial slow introduction before the main movement gains momentum. Its orchestral color is distinctive because clarinets replace the oboes used in many of his symphonies. The minuet's central...
Composition: 1788
Mozart's G-minor symphony belongs to the three symphonies he completed in the summer of 1788. Its opening melody begins over an already moving accompaniment rather than a grand ceremonial introduction. A later revision adds clarinets...
Composition: 1788
Mozart's last symphony combines ceremonial gestures with graceful lyricism and a finale famous for its contrapuntal craft. Small musical ideas that first seem straightforward are made to coexist in increasingly elaborate combinations....
Premiere: 1791
The Magic Flute combines spoken dialogue, comic episodes, ceremonial music, and demanding vocal display. Mozart wrote it for Emanuel Schikaneder's theatrical company, with Schikaneder creating the role of Papageno. The plot follows...
Premiere: 1786
The Marriage of Figaro adapts Beaumarchais's play through Lorenzo Da Ponte's libretto. A single day's deceptions place servants and aristocrats in shifting relationships of power, desire, and misunderstanding. Mozart's ensembles allow...
Composition: 1775
The Fifth Violin Concerto experiments with changes of tempo and character inside its movements. The soloist's first entrance briefly slows the opening before joining its lively flow. A graceful minuet frames the finale's more forceful...
Composition: 1874
Mussorgsky responded to a memorial exhibition of works by his friend Viktor Hartmann with a sequence of musical pictures. Recurring Promenade passages suggest movement between exhibits, while the individual scenes differ sharply in...
Composition: 1910-1911
Nielsen's Third Symphony adds wordless soprano and baritone voices to its second movement. They become part of the orchestral sound rather than narrators of a text. The vigorous opening movement, broad slow movement, lighter third...
Composition: 1914-1916
Nielsen joined the four sections of this symphony into an uninterrupted span. It was written during the First World War, but its subtitle describes the persistence of life rather than a sequence of battle scenes. Two sets of timpani...
Composition: 1922 (completion)
Nielsen's Fifth creates a drama of opposing musical forces within two large movements. The side drummer is at one point instructed to play as though trying to disrupt the rest of the orchestra, making conflict an explicit element of the...
Composition: 1972-1975
Norgard's Third Symphony joins two choirs to the orchestra in a two-movement design. Its interlocking lines draw on his infinity-series technique, natural harmonics and carefully proportioned rhythms. In the later stages, Rilke's poetry...
Composition: 1936 (completion)
Orff selected medieval poems for a large secular cantata whose subjects include fortune, spring, drinking, and love. Repetition, direct melodic writing, and strongly defined rhythms give the music its theatrical force. The opening...
Work date: Date uncertain
Pachelbel's Canon combines imitating upper voices with a repeating bass pattern. The three violin lines enter successively and then become more active over the same harmonic foundation. It survives alongside a gigue, but the canon is...
Composition: 1963
Panufnik composed Sinfonia Sacra for the approaching millennium of Polish statehood and Christianity. Three short Visions precede a larger Hymn, whose material grows from the medieval Polish chant Bogurodzica. Widely separated trumpets...
Composition: 1972-1973
Penderecki's First Symphony uses four named sections, with two Dynamis sections placed between an opening and closing Arche. The score treats changes in orchestral density, register and instrumental attack as central structural events....
Composition: 1996
Penderecki wrote Seven Gates of Jerusalem for commemorative celebrations in the city. The large vocal and orchestral work uses biblical texts and makes the number seven part of its organization, most visibly through seven movements....
Composition: 1966-1967
Pettersson's Seventh unfolds in one continuous movement, with contrasting phases rather than separate traditional movements. Strongly dissonant and rhythmically urgent passages give way to longer, more songlike writing. Recurrent ideas...
Composition: 1934
Popov's First Symphony is a large three-movement orchestral work whose first performance in 1935 was followed by official suppression. Its scale and highly charged contrasts place it among the ambitious Soviet symphonic experiments of...
Composition: 1935 (principal composition)
Prokofiev's complete ballet turns Shakespeare's tragedy into a large sequence of sharply characterized dances and dramatic scenes. Heavy public music for Verona's rival households contrasts with the lovers' more lyrical writing. The...
Composition: 1917
Prokofiev used eighteenth-century symphonic proportions as a starting point for this short four-movement work. Its compact orchestra, clear phrases and dance movement recall Haydn, while sudden harmonic turns and displaced accents...
Composition: 1924-1925
Prokofiev wrote his Second Symphony in Paris for Serge Koussevitzky. It has two movements: a densely scored, rhythmically driven opening and a longer set of variations on a melody introduced by the oboe. The variations progressively...
Composition: 1928
Prokofiev transformed material from his opera The Fiery Angel into the four movements of his Third Symphony. He redistributed themes to create an orchestral argument that can stand independently of the stage work. The music ranges from...
Composition: 1929-1930
Prokofiev's Fourth Symphony grew from musical ideas related to his ballet The Prodigal Son. Koussevitzky secured premiere rights for the Boston Symphony Orchestra and conducted the original score in 1930. In 1947 Prokofiev returned to...
Composition: 1944
Prokofiev returned to the symphony after a long interval with a broad four-movement score. An expansive opening is followed by a fast, sharply articulated movement, a sustained Adagio, and an energetic finale. The wartime setting is...
Composition: 1945-1947
Prokofiev's Sixth is a three-movement symphony completed after the Second World War. Its broad first movement and slow central movement are followed by a faster finale, but earlier material returns to disturb the closing movement's...
The 300-entry selection uses the 100 general favorites in the supplied classical list, then adds the earliest 200 nonduplicate symphony candidates in the supplied order. It is a curated discovery collection, not a universal popularity ranking. One work or cycle counts as one entry; movements and performances are not separately counted. Titles, musical forms, chronology and version notes are reviewed against the cited sources. Composition, premiere and publication dates are labeled separately; uncertainty is retained. Era and listening suggestions are editorial aids.
1960-2025. Each year contains 150 selections.