A curated collection of 300 classical works and cycles: symphonies, concertos, keyboard music, opera, chamber and choral music. Explore composers, background and listening guides.
One entry per work or cycle. Whole symphonies, operas and sets count as one entry. The collection draws on the supplied candidate lists and is presented alphabetically rather than as a definitive ranking.
300 matching works | Showing 226-250 | Page 10 of 12
Composition: 1825-1826
Schubert's Great C-major symphony opens with a horn melody whose material becomes part of a much larger orchestral argument. Its four movements sustain unusual breadth through recurrent rhythms, long melodic spans, and energetic...
Composition: 1816
Schubert wrote his Fifth Symphony for modest orchestral forces, omitting clarinets, trumpets and timpani. Its four movements reflect his admiration for Mozart while retaining Schubert's own melodic and harmonic turns. The absence of a...
Composition: 1941
William Schuman divides his Third Symphony into two large parts, each pairing older formal types: Passacaglia and Fugue, then Chorale and Toccata. The historical names describe methods that he recasts for a modern orchestra. Long lines...
Composition: 1841
Schumann composed his first completed symphony during the exceptionally productive period following his marriage to Clara Wieck. Its Spring title reflects an explicitly stated seasonal association. A brass call introduces the first...
Composition: 1845-1846
Schumann's Second opens with a brass motto that returns near the end, linking the work's outer boundaries. A rapid scherzo precedes an expansive slow movement with particularly concentrated lyrical and contrapuntal writing. The finale...
Composition: 1850
Schumann wrote the Rhenish soon after moving to Dusseldorf. Its five-movement layout includes an additional solemn movement before the finale, associated with impressions of Cologne Cathedral. The work combines broad opening rhythms, a...
Composition: 1841 original version; revised 1851
Schumann's Fourth joins its movements through recurring material and close transitions. Themes are transformed rather than left behind when a new section begins, giving the symphony a strongly cyclical shape. The familiar revised score...
Composition: 1902-1904
Scriabin's Third Symphony unfolds as an introduction and three connected movements, commonly translated as Struggles, Pleasures and Divine Play. Its programme concerns the spirit's movement toward freedom and self-affirmation. Recurring...
Composition: 1960
Shostakovich's Eighth Quartet connects five movements through recurring material, especially the four-note musical signature associated with his initials. Quotations from his earlier works give the piece a strongly retrospective...
Composition: 1925
Shostakovich completed his First Symphony as a conservatory graduation work while still a teenager. Its orchestration often behaves like chamber music, passing exposed lines among solo instruments; a piano becomes especially noticeable...
Composition: 1953 (customary dating)
Shostakovich's Tenth Symphony places a vast opening movement beside a short, fiercely concentrated scherzo. Later movements prominently use the composer's four-note musical signature, while the third also includes a horn motif...
Composition: 1957
Shostakovich's Eleventh connects four movements depicting the atmosphere and violence surrounding the events of January 1905 in St Petersburg. Revolutionary songs provide recognizable material within the orchestral narrative. A quiet...
Composition: 1962
Shostakovich set five poems by Yevgeny Yevtushenko for bass soloist, men's chorus and orchestra. The opening poem commemorates the victims of the Babi Yar massacre and condemns antisemitism. Later movements address humor, women waiting...
Composition: 1969
Shostakovich's Fourteenth sets eleven poems concerning death for soprano, bass, strings and percussion. The texts come from Lorca, Apollinaire, Kuchelbecker and Rilke in Russian translation. Individual songs vary in length and...
Composition: 1971
Shostakovich's last symphony returns to an entirely instrumental four-movement design. Recognizable quotations, including material from Rossini's William Tell overture and Wagner, appear alongside the composer's own themes. Exposed...
Composition: 1927
Shostakovich composed To October for the tenth anniversary of the October Revolution. A densely layered orchestral opening leads through contrasting episodes toward a choral conclusion. The brief work does not follow the usual...
Composition: 1929
Shostakovich's Third Symphony links a continuous orchestral sequence to a choral conclusion celebrating May Day. Changes of pace and character replace a conventional cycle of separate movements. The final vocal section supplies the...
Composition: 1935-1936
Shostakovich's Fourth was withdrawn before its planned premiere in 1936, amid the political attack on his opera Lady Macbeth of Mtsensk. The enormous three-movement score remained unheard in public until 1961. Its long outer movements...
Composition: 1937
Shostakovich composed his Fifth Symphony after official criticism placed his career in danger. Its public success helped restore his standing, but the music's emotional implications remain debated. A large opening movement and satirical...
Composition: 1941
Shostakovich began the Leningrad Symphony during the German invasion of the Soviet Union and finished it after his evacuation. Its first movement includes an extended episode built over a repeated drum pattern. Three further movements...
Composition: 1943
Shostakovich wrote his Eighth Symphony during the war, but its five movements resist the simple progression of a victory celebration. A long opening movement is followed by two sharply contrasted fast movements and a passacaglia. The...
Composition: 1899 first version; revised 1900
Sibelius's First Symphony begins with a solo clarinet above a quiet timpani roll, creating a distinctive introduction before the main orchestral movement. Four movements combine broad melodies with strongly profiled rhythms and abrupt...
Composition: 1901-1902
Sibelius's Second Symphony grows from small fragments that gradually form broader statements. A restless slow movement and a rapid scherzo lead toward a finale whose opening feels prepared by much that came before. Audiences associated...
Composition: 1907
Sibelius reduced the orchestral weight and number of movements in his Third Symphony. The opening movement is followed by a measured, dance-like slow movement; the finale begins with fragmentary scherzo material that gradually coalesces...
Composition: 1911
Sibelius's Fourth opens in the low register and makes the unstable tritone interval central to its musical language. Its four movements turn away from a conventional sequence of triumphal climaxes. The third movement unfolds slowly,...
The 300-entry selection uses the 100 general favorites in the supplied classical list, then adds the earliest 200 nonduplicate symphony candidates in the supplied order. It is a curated discovery collection, not a universal popularity ranking. One work or cycle counts as one entry; movements and performances are not separately counted. Titles, musical forms, chronology and version notes are reviewed against the cited sources. Composition, premiere and publication dates are labeled separately; uncertainty is retained. Era and listening suggestions are editorial aids.
1960-2025. Each year contains 150 selections.