GLOBALRPH MUSICATLAS

Delirious Love

Neil Diamond | Artist Essentials

Neil Diamond / RECOMMENDED SELECTION 51

First released: 2005 (year verified)

Original 2005 solo album recording

MusicAtlas editorial note: The brisk acoustic pulse gives the solo vocal a lively surface to work against.

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Release evidence and recording details

First released: 2005 (year verified)

The selected original recording was publicly available in 2005. Only year precision is used; later chart appearances, remakes and reissue packages do not date this recording.

Recording: Original 2005 solo album recording
Credit: Neil Diamond
Role in this collection: Primary artist

Original album: 12 Songs

12 Songs - artist/Capitol original album archive
Original 2005 twelve-track studio program identifies Oh Mary, Hell Yeah, Save Me a Saturday Night and the solo Delirious Love. Bonus Brian Wilson duet, demo and live presentations are excluded. | Reviewed 2026-10-18

In the yearly lists

This selected recording is beyond the current yearly lists.

ARTIST BACKGROUND

About Neil Diamond

Neil Diamond gained recognition as a songwriter before becoming widely known as a recording performer. His catalog includes compact pop songs such as Solitary Man and Cherry, Cherry, as well as the ballads I Am... I Said and September Morn. You Don't Bring Me Flowers brought a duet with Barbra Streisand. Sweet Caroline also developed a life beyond records through communal singing at sporting events.

Artist background sources

Neil Diamond - Songwriters Hall of Fame biography
Songwriter-to-performer development, named catalog and Streisand duet; sales totals and accolades are omitted. | Retrieved 2026-10-17

Neil Diamond - Universal Music Japan biography
Sweet Caroline's documented use at sporting events, including Boston baseball games; promotional rankings and current sales totals are omitted. | Retrieved 2026-10-17

Profile reviewed: 2026-10-17. Artist background does not establish a song's creative origin or release date.

Continue listening

Recommended positions express one editorial listening sequence. They are not measured quality scores.

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