Everybody in the Place
The Prodigy
1992
Annual listening list: initial release cycle, with recent carryovers; not an original-release-date field. Release chronology remains partly unverified.
Release year not established
Release year not establishedDate review open
A first-release date was not established in the available metadata.
The large badge identifies this listening list, not a newly issued recording. Later reissues and renewed chart popularity do not replace an original release date. How years are assigned.
About The Prodigy
Song-specific inspiration or recording background is not established for this entry. This sourced artist profile provides career context.
The Prodigy's recordings center on Liam Howlett's production, combining forceful breakbeats, electronic programming, prominent samples and large melodic hooks. The group's work helped bring British rave music to a wider rock audience. Music for the Jilted Generation expanded its earlier dance approach with more guitar-integrated material, including Voodoo People.
Artist background sources
The Prodigy - AllMusic biography
Read Liam Howlett production role, breakbeat approach, international crossover and Music for the Jilted Generation development. This is the group, not the Mobb Deep rapper. | Retrieved 2026-10-19
Profile reviewed: 2026-10-19. Artist background does not establish a song's creative origin or release date.
Retained annual-list context
Everybody in the Place by The Prodigy is included for 1992 on the basis of the cited chart-associated source. This establishes the annual connection, not the circumstances in which the song was written. No reliable song-specific account of its inspiration was established in this review.
Annual-list context only; songwriting inspiration remains unestablished
UK top-ten singles in 1992 (Wikipedia chart transcription)
Secondary chart transcription reviewed: title, artist and presence in the UK top ten during this year. Supplemental annual selection, not an original release date or a U.S. year-end rank.
Other appearances and versions
catalog version unspecified
Textual identity reconciliation, not audio-fingerprint or exact-pressing verification. Version labels are catalog safeguards.
An annual chart year and an original release date are different. Similar titles may be covers or different masters; no audio fingerprint has been performed.
Sources and scope
Source-backed annual association (secondary source; not a complete discographic review)
Editorial artist-repertoire classification
UK top-ten singles in 1992 (Wikipedia chart transcription)
Secondary chart transcription reviewed: title, artist and presence in the UK top ten during this year. Supplemental annual selection, not an original release date or a U.S. year-end rank.
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