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Sweet Little Sixteen belongs to Chuck Berry's early Chess period. The label's catalog history dates its release to 1958 and identifies Reelin' and Rockin' as the reverse side. The recording session took place in late...

Twilight Time is part of the Platters' original 1958 single repertoire. The later Magic Touch anthology places it among the vocal quintet's 1955-1962 hit recordings. That anthology is useful for locating the...

Money (That's What I Want) is represented here by Barrett Strong's original single in mono, as explicitly identified in the licensed track metadata. The supported release year is 1959. This version preserves the...

Breakfast at Tiffany's is an instrumental from Henry Mancini's music for the 1961 film. The later Greatest Hits compilation places it at track 7, matching the screenshot's visible number and album context. It is...

Need to Belong is the title recording of Jerry Butler's 1963 Vee-Jay album. Curtis Mayfield, Butler's former colleague in the Impressions, wrote the song. Its place among Butler's interpretations of other writers...

Goin' Out of My Head is part of Little Anthony and the Imperials' 1964 catalog. The group's own archive credits the composition to Teddy Randazzo and Bobby Weinstein, a writing partnership also responsible for Hurt...

Opportunity became a national hit for the Washington, D.C. vocal group the Jewels in 1964. Their history traces the singers through earlier names and local recording work before this breakthrough. The screenshot...

Make It Easy on Yourself belongs to the Walker Brothers' 1965 group catalog. It is associated with the original Take It Easy With the Walker Brothers program and also appears on later retrospectives. The digital...

People Get Ready was released by the Impressions in 1965. The Library of Congress included the single in the National Recording Registry and described it in the context of the civil rights movement. The recording...

The Ramsey Lewis Trio recorded The In Crowd at the Bohemian Caverns in Washington, DC, during a 1965 engagement. Lewis later recalled the audience's spontaneous response to the performance in his National Endowment...

The Tracks of My Tears appeared as a Miracles single in 1965 before its inclusion on Going to a Go-Go that November. Motown's history identifies Marv Tarplin's guitar contribution and the songwriting partnership of...

You Didn't Have to Be So Nice was a Lovin' Spoonful single before its appearance on Daydream. The Kama Sutra issue credits John Sebastian and Steve Boone as writers and Erik Jacobsen as producer. Sundazed's...

You'd Better Come Home belongs to Petula Clark's 1965 English-language singles. The original release paired it with Heart and appeared through Pye in Britain and Warner Bros. in the United States. Later greatest-hits...

A Sign of the Times is a Petula Clark recording from 1966. Its original single paired it with Time for Love, and it also appeared on My Love. The later Platinum & Gold compilation in current streaming metadata...

I Couldn't Live Without Your Love was released as a Petula Clark single in 1966 and also became the title of an album that year. That album combined the title song with contemporary covers. The screenshot's...

The 59th Street Bridge Song (Feelin' Groovy) appears as the sixth song on Simon and Garfunkel's Parsley, Sage, Rosemary and Thyme. The duo's official archive places the album in 1966. Its later expanded edition adds...

Otis Redding recorded Try a Little Tenderness for his fifth studio album at Stax in Memphis. Booker T. & the M.G.'s, Isaac Hayes and the Memphis Horns participated in those 1966 sessions. The original album...

Break on Through (To the Other Side) opens the Doors' self-titled 1967 debut. The band paired Jim Morrison's voice with Ray Manzarek's keyboards, Robby Krieger's guitar and John Densmore's drums. Its placement at the...

Love Affair's Everlasting Love was issued by CBS in December 1967, following Robert Knight's earlier recording of the Buzz Cason and Mac Gayden song. Steve Ellis sang over backing played by session musicians, with...

Foxey Lady belongs to the Jimi Hendrix Experience's debut-album repertoire. The official archive retains that spelling in its Are You Experienced program. This selection refers to the original 1967 album recording,...

Peter, Paul and Mary included John Denver's Leaving on a Jet Plane on Album 1700 in 1967. Their own career history distinguishes that album appearance from the recording's later success as a single in 1969. The 2004...

Sunday Will Never Be the Same is an early Mercury recording by Spanky and Our Gang, written by Terry Cashman and Gene Pistilli. Its folk-oriented vocal-pop arrangement introduced a sound different from the group's...

The Look of Love connects Dusty Springfield with the Burt Bacharach and Hal David repertoire associated with Casino Royale in 1967. The licensed Very Best of Dusty Springfield track retains that year. This entry...

Abraham, Martin and John marked Dion's return to Laurie in 1968. Ace's reissue notes describe the single pairing it with Daddy Rollin', followed by the Dion album. This is part of his solo career, so the recording...

Face It Girl, It's Over appeared in Nancy Wilson's Capitol catalog in 1968, both as a single paired with The End of Our Love and on Easy. The same recording family subsequently appeared in Capitol retrospectives. The...

Like to Get to Know You is the title recording associated with Spanky and Our Gang's second Mercury studio album. The original LP discography identifies that release in 1968. Some present-day streaming pages assign...

The Lettermen made Paul Anka's Put Your Head on My Shoulder the title track of a 1968 Capitol album and also issued it as a single. The album placed the vocal trio's treatment alongside other contemporary material,...

Everyday With You Girl is documented on the Classics IV album Traces with Dennis Yost explicitly named in the licensed credit. The 1969 album context places it alongside the group's better-known title song, while...

Fortunate Son appears on Creedence Clearwater Revival's Willy and the Poor Boys, released in 1969. Craft's album notes place it among the record's politically engaged songs. The original program sets it alongside...

Long Time Gone is part of Crosby, Stills & Nash's original 1969 debut-album program. Its later appearance on the group's 2005 Greatest Hits explains the compilation title visible in the screenshot. The original album...

Suite: Judy Blue Eyes opens Crosby, Stills & Nash's 1969 debut album. Rhino lists the original extended performance separately from later bonus material. Selecting the complete album track preserves the suite as one...

That's the Way God Planned It is selected in the complete Parts 1 & 2 form documented on Billy Preston's 1969 album. The licensed edition identifies a 2010 digital remaster, which describes later mastering work. That...

Carry On opens Crosby, Stills, Nash & Young's 1970 album Deja Vu. Rhino later identifies that performance as Carry On/Questions in its Stephen Stills anthology, separately listing Buffalo Springfield's Questions. The...

Hand Me Down World appears on Share the Land, the Guess Who album released in October 1970. The official album description identifies this as the first release after Randy Bachman's departure and the introduction of...

Have You Ever Seen the Rain was part of Pendulum, Creedence Clearwater Revival's 1970 studio album. Craft identifies it in the original program alongside Hey Tonight and other John Fogerty songs. Its album...

Only Love Can Break Your Heart appears in the original eleven-song program of After the Gold Rush. Neil Young's official anniversary edition distinguishes that 1970 album from later bonus outtakes. The screenshot...

Our House belongs to the original program of Deja Vu, released by Crosby, Stills, Nash & Young in 1970. A later Crosby, Stills & Nash compilation includes the song, which accounts for the shorter anthology credit in...

Southern Man is one of the original recordings on Neil Young's After the Gold Rush. The official album archive establishes a 1970 release, despite this file's inclusion among the user's sixties screenshots. The later...

Written by Paul Williams, An Old Fashioned Love Song was the first single from Three Dog Night's 1971 album Harmony. The album also drew on material associated with Marvin Gaye, Stevie Wonder and Joni Mitchell. The...

Together Let's Find Love belongs to the 5th Dimension's live repertoire. Arista/Legacy identifies the performance on Live!! as an original 1971 release and credits J. W. Alexander and Willie Hutchison as composers....

Woman from Tokyo opens Deep Purple's 1973 album Who Do We Think We Are in the band's official archive. The track sits in the original seven-song program alongside Mary Long and Rat Bat Blue. Its documented album year...

Swearin' to God is selected in Frankie Valli's explicitly labeled single version. Licensed metadata associates this edit with 1975, while the later Very Best compilation supplies the screenshot's album context....

Weld documents Neil Young and Crazy Horse on their 1991 tour following Ragged Glory. Cinnamon Girl appears as its sixth track, matching the screenshot's Arc Weld and track-number tags. This is a live return to the...

People appears on Barbra Streisand's The Concert, a two-disc live release issued by Sony in 1994. This selection preserves the concert performance as its own recording context. Its live setting and album identity...

Dion's New Masters contains a later performance of Runaround Sue, issued on the 2003 Dion Productions album. The artist's own catalog lists New Masters separately from his original Runaround Sue release. Keeping this...

The Mystics issued Hushabye in an explicitly labeled rerecorded version that is commercially documented in a one-track K-tel package. The distributor credits Doc Pomus and Mort Shuman as the writers and lists a 2:39...

The screenshot identifies Michael as track 9 of Still Rowing!, a Highwaymen folk release whose published track list includes Irene Goodnight, The Gypsy Rover and The Glory Years. The listed performance lasts 2:57....