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Justin Hayward's Tuesday Afternoon was released with the Moody Blues' Days of Future Passed in 1967. The song forms part of The Afternoon suite; the screenshot does not establish the precise edit or mix.

The Jimi Hendrix Experience recorded All Along the Watchtower for the 1968 Electric Ladyland era. It retains a separate performer and recording identity from Bob Dylan's earlier recording.

Wooden Ships is part of Crosby, Stills & Nash's original 1969 debut album. This addition identifies the trio's studio recording. The screenshot's truncated performer credit and generic Real Audio Tracks tag do not...

Walk Away opens Thirds, the James Gang's 1971 studio album. It remains separate from the band's later Live in Concert performance and from Kelly Clarkson's same-titled recording.

Led Zeppelin included D'yer Mak'er on Houses of the Holy in 1973. The original album source establishes the year; its later remastered anthology appearance is a separate packaging event.

Bad Company is the title song of Bad Company's 1974 debut album. The original album performance is the destination for the requested title; the later 10 from 6 compilation date is not its first release year.

Bachman-Turner Overdrive included Hey You on Four Wheel Drive in 1975. The Canadian band's recording is separate from Pink Floyd's later song with the same title.

Ted Nugent's Stranglehold is associated with his 1975 self-titled studio album in the recording-specific licensed listing. Later live versions and conflicting anthology metadata are not substituted for that program.

Blue Oyster Cult identify this recording as a track from their 1976 Agents of Fortune. Later performances of that complete album are separate recordings; the screenshot does not establish a particular single edit.

This is the live Beautiful Loser released on 'Live' Bullet in 1976. The official history places the album's performances at Detroit's Cobo Hall in September 1975. The generic Bob Seger Live screenshot label does not...

This KISS recording opens Destroyer, the band's 1976 studio album. The official original program supports the recording's year, before its later Greatest Kiss compilation appearance in the screenshot.

KISS included Do You Love Me on Destroyer in 1976. It is a separate song and recording from the Contours and Dave Clark Five catalog entries sharing that title.

Mainstreet appears on the 1976 Night Moves album under the Bob Seger and the Silver Bullet Band credit. The original studio recording is retained separately from live performances and later Greatest Hits packaging.

Boston's Something About You appears on the group's 1976 debut. This retains Boston's recording separately from the Level 42 song already represented in the annual catalog.

Takin' It to the Streets is the title track of the Doobie Brothers' 1976 album. The licensed album notes identify that release as the group's first with Michael McDonald.

The selected Travelin' Man is the concert recording from 'Live' Bullet, released in 1976. Its performance belongs to the album's September 1975 Cobo Hall recordings. The screenshot does not identify a venue or...

This live performance of Turn the Page comes from the Detroit shows recorded in September 1975 for Live Bullet, released in April 1976. Seger's official Greatest Hits program explicitly labels its selection Live. The...

Boz Scaggs closes the original Silk Degrees album program with We're All Alone. This 1976 Scaggs performance is a separate recording from Rita Coolidge's later version already represented in the catalog.

This track belongs to Van Halen's original 1978 debut program. Later greatest-hits packages preserve the song's history without becoming its original release event.

The Cars recorded Bye Bye Love for their 1978 debut. Their performance is distinct from the Everly Brothers recording of a different song with the same title.

Good Times Roll opens The Cars' 1978 debut album. Its original album association is retained when tracing the later greatest-hits compilation named in the screenshot.

The title track belongs to the original nine-song Head First album by The Babys. Chrysalis' licensed program establishes 1978; the later Anthology label in the screenshot is a compilation association.

One of the songs on The Cars' 1978 debut. Its licensed track date precedes the album within the same year; this entry uses year precision.

Moving in Stereo is part of The Cars' 1978 debut studio program, immediately before All Mixed Up. The screenshot's later anthology is retained as provenance.

The Cars included this recording on their 1978 debut album. The source identifies the original studio program, while the screenshot shows its later Complete Greatest Hits appearance.

The J. Geils Band included One Last Kiss on Sanctuary in 1978. The later Flashback compilation shown in the screenshot collects that earlier song; its compilation date is not used as the original album year.

Gerry Rafferty included Right Down the Line on City to City in 1978. Its appearance on later retrospective packages is distinct from the release of this original album recording.

Runnin' with the Devil opens Van Halen's 1978 debut. The original licensed studio program is separate from later live albums and the greatest-hits packaging visible in the screenshot.

REO Speedwagon included Time for Me to Fly on You Can Tune a Piano, But You Can't Tuna Fish in 1978. The Hits compilation in the screenshot draws on that earlier album recording.

This recording is track six of The Cars' 1978 debut program. It joins several other songs from that album in the supplied Complete Greatest Hits screenshot.

Dangerous Type closes the original eleven-song Candy-O program by The Cars in 1979. It is part of the original album, not one of the later expanded edition's bonus recordings.

Jefferson Starship included Jane on Freedom at Point Zero in 1979. The artist credit belongs to Jefferson Starship; later compilations that span both Jefferson Starship and Starship can use broader package-level...

Lay It on the Line is a song from Triumph's 1979 Just a Game. The band's history identifies that album as an early international breakthrough for the Canadian trio.

We Live for Love is part of Pat Benatar's 1979 In the Heat of the Night. The later Best Shots compilation named in the screenshot does not establish its first release year.

Van Halen included Women in Love... as track nine of Van Halen II in 1979. The published title ends with an ellipsis; this is not a truncated unknown song.

Van Halen open their second album with this 1979 recording. It is a different performer's recording from the Linda Ronstadt version already in the catalog.

Ah! Leah! grew from Donnie Iris' writing partnership with Mark Avsec. An official Allegheny County career retrospective connects its sessions with Agnes and the other Back on the Streets recordings, made with...

The opening song on Van Halen's Women and Children First, released in 1980. The ellipsis belongs to the published title and does not indicate a missing subtitle in this entry.

Crazy Train appears on Ozzy Osbourne's solo debut Blizzard of Ozz, released in 1980. The official expanded program distinguishes that studio recording from later live versions.

Her Strut is a song from Against the Wind, released in 1980. Bob Seger's official anniversary notes identify the album and its Silver Bullet Band association; a later live rendition is separate.

I Could Be Good for You appears on 707's self-titled 1980 album. The licensed recording credits Duke McFadden and Jim McClarty as the writers; the numeric band name is retained as its own artist identity.

Living After Midnight appears on Judas Priest's British Steel, originally released in 1980. The official studio program is separate from later concert performances carrying the same song title.

Make It Real opens Scorpions' 1980 Animal Magnetism. It is a different song and recording from the Jets' later same-titled annual entry.

Contemporaneous Billboard and Cash Box reviews in October 1979 identify the original A&M SP4782 album and its title cut. These establish 1979 public availability before the 1980 year used by the artist and songwriter...

The Kings' 1980 album The Kings Are Here includes Switchin' to Glide as its own track. The combined This Beat Goes On / Switchin' to Glide radio segue is separately identified in the licensed catalog; this entry...

The Spirit of Radio appears on Rush's 1980 Permanent Waves. The band's account describes the album's move toward shorter songs and notes the reggae element in this track.

Turn Me Loose belongs to Loverboy's self-titled debut album. The licensed album and track fields differ on the precise 1980 date, so only the common original year is used.

Def Leppard originally released this recording on High 'n' Dry in 1981. The band's discography explicitly lists a later 1984 remix; the screenshot anthology tag alone does not prove that remix.

Blue Oyster Cult included Burnin' for You on Fire of Unknown Origin in 1981. The original album performance is the destination for the requested song, retaining a distinct identity from later live recordings.

The reviewed original U.S. A&M SP4835 program, the 1981 contemporary album-review cycle and the artist discography support 1981 for the Wild-Eyed Southern Boys recording. V3.6 adopts that corroborated album-first...