Ain't No Woman (Like the One I've Got)
The Four TopsReported release: 1973Date needs verification
Source year-end #60Written by Dennis Lambert and Brian Potter One of the group's last major hits
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Reported release: 1973Date needs verification
Source year-end #60Written by Dennis Lambert and Brian Potter One of the group's last major hits
View background statusRelease year not establishedDate review open
Source year-end #90Eumir Deodato is a Brazilian pianist, arranger and producer whose work connects bossa nova, jazz, funk and orchestral music. He developed as an arranger in Rio de Janeiro alongside Roberto Menescal and Durval...
View background statusWizzard grew out of Roy Wood's work after the Move and Electric Light Orchestra. Wood assembled the group with bassist Rick Price and other Birmingham musicians for a rock-and-roll event at Wembley. Recording at...
View background statusFrom the album "Goats Head Soup" Rumored to be about David Bowie's wife Angela, though the band denies this
View background statusReached number one on the Billboard Hot 100 in July 1973 Inspired by a man Croce met while serving in the Army
View background statusProducer Billy Sherrill helped shape Rich's crossover sound. The museum identifies this record as a landmark of their collaboration.
Read background and sourcesSweet emerged as a British group in the late 1960s. Its well-known 1970s lineup combined Brian Connolly's lead vocals with Steve Priest, Andy Scott and Mick Tucker. Work with writers Nicky Chinn and Mike Chapman and...
View background statusDance and funk music trends
View background statusCover of a 1941 song by The Andrews Sisters Part of the 1940s nostalgia trend of the early 1970s
View background statusThe Stylistics grew out of two local singing groups in Philadelphia, the Percussions and the Monarchs. You're a Big Girl Now led to a wider recording opportunity with Avco, followed by an album produced by Thom Bell....
View background statusCovered version of a song originally recorded by Hot Chocolate Addresses interracial relationships
View background statusSuzi Quatro developed as a bassist and singer in Detroit's Pleasure Seekers, performing alongside her sister Patti before continuing with Cradle. Producer Mickie Most brought her to England, where work with...
View background statusFaces formed after Steve Marriott left Small Faces, bringing Ronnie Lane, Ian McLagan and Kenney Jones together with Rod Stewart and Ronnie Wood. The group developed a loose, blues-oriented rock sound that also drew...
View background statusGilbert O'Sullivan developed a distinctive pop songwriting style around melodic arrangements and carefully shaped lyrics. His early repertoire included Nothing Rhymed and Alone Again (Naturally), followed by songs...
View background statusReported release: 1972Date needs verification | Recent carryover
Source year-end #47One of the group's biggest hits Showcases the lead vocals of Philippe Wynne
View background statusElton described wanting to capture the sound of nostalgic rock and roll, naming the Beach Boys, Eddie Cochran and earlier pop hits as touchstones. The recording features him on piano and Farfisa organ. It was already...
Read background and sourcesCover of a 1961 song by Shep and the Limelites Jackson's first solo hit away from The Jackson 5
View background statusJud Strunk combined songwriting and singing with a career in comedy. After moving to Farmington, Maine, he developed a performing career that included an Armed Forces tour, Broadway and television's Laugh-In. His...
View background statusLondon-born Barry Blue built a career as a singer, songwriter and producer. His partnership with Lynsey de Paul produced Sugar Me and Dancin' (On a Saturday Night), while his own records placed him in the 1970s...
View background statusReported release: 1972Date needs verification | Recent carryover
Source year-end #37Written by Sherman Kelly Has been featured in numerous films and commercials
View background statusWritten by Elton John and Bernie Taupin Inspired by a Vietnam War veteran
View background statusWritten by Kenny Loggins for his brother Danny Murray's version reached higher on the charts than Loggins and Messina's original
View background statusDavid Cassidy came from an acting family and became widely known through The Partridge Family. Alongside recordings associated with the television series, he developed a separate solo catalog including Cherish, Could...
View background statusOriginally recorded by Tanya Tucker in 1972 Based on a story about a woman waiting for her lover to return
View background statusTitle track from their album of the same name Features the duo's signature soft rock sound
View background statusReported release: 1972Date needs verification | Recent carryover
Source year-end #73From their debut album "Can't Buy a Thrill" Features Walter Becker's distinctive guitar solo
View background statusGary Glitter was the stage name adopted by English singer Paul Gadd during the early 1970s glam-rock period. He had previously recorded as Paul Raven. His performances used glittering suits and platform boots as part...
View background statusBette Midler developed a New York stage act before issuing her debut album The Divine Miss M in 1972. Her career has connected recording with musical theater, television specials and films including The Rose and...
View background statusRelease: 1972Source checked | Recent carryover
Source year-end #87Don't Expect Me to Be Your Friend appears on Lobo's 1972 album Of a Simple Man. The recording credits name Roland Kent LaVoie as the writer and lead vocalist, with Phil Gernhard producing. Its original album release...
Read background and sourcesWritten by Steven Tyler While not initially a hit, it later became one of Aerosmith's signature songs
View background statusWritten by Mentor Williams, brother of songwriter Paul Williams Has been covered by many artists over the years
View background statusReported release: 1973Date needs verification
Source year-end #61Instrumental version of a song from the film "Deliverance" Based on a 1955 composition by Arthur "Guitar Boogie" Smith
View background statusCo-written by Peter Cetera and James Pankow Showcases the band's horn section
View background statusInstrumental rock song named after the fictional monster Features an early use of the synthesizer in rock music
View background statusDesire for freedom and the inability to change
View background statusWritten by Dan Hartman Known for its catchy guitar riff and use of synthesizers
View background statusOhio Players became closely associated with 1970s funk and R&B. Their Mercury recording period included Skin Tight, Fire and Honey, while songs such as Funky Worm, Love Rollercoaster and Who'd She Coo? established a...
View background statusDonna Fargo came from Mount Airy, North Carolina, and worked as a high-school English teacher in California while performing in local clubs. The Happiest Girl in the Whole U.S.A. and Funny Face introduced her country...
View background statusFollow-up to O'Sullivan's hit "Alone Again (Naturally)" Features a more upbeat, pop sound
View background statusHarrison's second number-one hit as a solo artist Reflects Harrison's spiritual beliefs
View background statusTitle track from John's double album of the same name References "The Wizard of Oz"
View background statusFrom the album "Deliver the Word" Features the band's signature blend of funk, rock, and Latin music
View background statusAddresses issues of racial identity and discrimination Cher performed the song on horseback in Native American-inspired attire
View background statusTeen pop song featuring lead vocals by then 13-year-old Tony DeFranco One of the last major bubblegum pop hits
View background statusSweet emerged as a British group in the late 1960s. Its well-known 1970s lineup combined Brian Connolly's lead vocals with Steve Priest, Andy Scott and Mick Tucker. Work with writers Nicky Chinn and Mike Chapman and...
View background statusGary Glitter was the stage name adopted by English singer Paul Gadd during the early 1970s glam-rock period. He had previously recorded as Paul Raven. His performances used glittering suits and platform boots as part...
View background statusReported release: 1973Date needs verification
Source year-end #63Written by Al Green and Teenie Hodges Showcases Green's smooth soul vocals
View background statusWritten and recorded by Wonder in a three-hour burst of creativity Later covered by the Red Hot Chili Peppers
View background statusReported release: 1973Date needs verification
Source year-end #58One of Taylor's biggest hits Showcases his smooth soul vocals
View background statusFrom the film "The Last American Hero"
View background status1960-2025. Each year contains 150 selections.