GLOBALRPH MUSICATLAS

Rescue Me

OneRepublic | Artist Essentials

OneRepublic / RECOMMENDED SELECTION 11

First released: 2019 (year verified)

Original 2019 studio recording

MusicAtlas editorial note: Brief phrases and spare electronic accents make this a compact example of the band's later pop economy.

YouTube opens a title-and-artist search. The selected recording and date are identified below.

Release evidence and recording details

First released: 2019 (year verified)

The original recording is documented in the 2019 release history of Rescue Me. Only year precision is assigned; later singles, charts, remasters and live versions do not establish its first release.

Recording: Original 2019 studio recording
Credit: OneRepublic
Role in this collection: Primary artist

Original single: Rescue Me

Rescue Me - original Mosley/Interscope single
Original 2019 single, before Human in 2021; original recording rather than the acoustic single. | Reviewed 2026-10-18

In the yearly lists

This selected recording is beyond the current yearly lists.

ARTIST BACKGROUND

About OneRepublic

OneRepublic combines Ryan Tedder's singing and songwriting with a band arrangement that includes guitars, keyboards, bass, cello and drums. Its 2007 debut, Dreaming Out Loud, included Apologize. Waking Up followed with All the Right Moves, Secrets and Good Life, while Native introduced Counting Stars. The group's later work also reached film audiences through I Ain't Worried in Top Gun: Maverick, extending a catalog built around vocal melodies and ensemble playing.

Artist background sources

OneRepublic - Universal Music Japan biography
Read roles and album/repertoire passages: Tedder, instrumental format, 2007 debut, Waking Up/Native and Top Gun: Maverick song. Apologize versions and Timbaland credits are not merged; current members, rankings, sales and Tedder's unrelated productions are omitted. | Retrieved 2026-10-18

Profile reviewed: 2026-10-18. Artist background does not establish a song's creative origin or release date.

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Recommended positions express one editorial listening sequence. They are not measured quality scores.

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