Symphony No. 2 in B-flat major, Lobgesang
Felix Mendelssohn
Work background
Researched classical background
Mendelssohn described Lobgesang as a symphony-cantata, with three instrumental movements leading into a substantial sequence for solo voices and chorus. Biblical texts organize its progression toward collective praise. The musical opening prepares ideas later taken up by the singers, so the orchestra and voices participate in one larger design rather than two unrelated works placed together.
Inspiration and creative background
Mendelssohn explained that instruments and voices alike were conceived around the biblical idea of praising God.
Carus-Verlag: Mendelssohn Lobgesang
1840 composition, symphony-cantata designation and vocal/orchestral score | Reviewed 2026-10-19
A listening guide
Recognize the relationship between the instrumental opening and the choral music that follows.
Listening suggestions are editorial guides to the music.
Forces: Two soprano soloists, tenor, mixed chorus, orchestra and organ
Composition: 1840
This entry describes the musical work or cycle. Composition, premiere and publication dates describe different events. Performers and recordings can be explored through the external listening search.
Also known as: Lobgesang; Hymn of Praise
Carus-Verlag: Mendelssohn Lobgesang
1840 composition, symphony-cantata designation and vocal/orchestral score | Reviewed 2026-10-19
Sources for this work
Carus-Verlag: Mendelssohn Lobgesang
1840 composition, symphony-cantata designation and vocal/orchestral score | Reviewed 2026-10-19
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