Messiah, HWV 56
George Frideric Handel
Work background
Researched classical background
Handel's Messiah uses a scriptural compilation by Charles Jennens rather than a conventional dramatic plot. Solo recitatives and arias alternate with choruses across three large parts concerned with Christian prophecy, the Passion, and redemption. The work was composed in 1741 and first performed in Dublin the next year. Handel later adapted details for different singers and occasions, leaving more than one legitimate performing choice.
Inspiration and creative background
Charles Jennens compiled biblical texts that organize the oratorio around Christian prophecy and redemption.
Messiah - LA Phil
Work identity, chronology where stated, and the specific musical or historical context summarized in this entry. | Reviewed 2026-10-19
A listening guide
Compare the chorus's different roles, from quiet reflection to intricate counterpoint and public proclamation.
Listening suggestions are editorial guides to the music.
Forces: Vocal soloists, mixed chorus, and orchestra with continuo
Composition: 1741
The Dublin premiere occurred in 1742; revisions and alternative vocal numbers followed.
This entry describes the musical work or cycle. Composition, premiere and publication dates describe different events. Performers and recordings can be explored through the external listening search.
Date, title and version notes
Authorized alternatives and later editions affect some vocal numbers and scoring.
Messiah - LA Phil
Work identity, chronology where stated, and the specific musical or historical context summarized in this entry. | Reviewed 2026-10-19
Sources for this work
Messiah - LA Phil
Work identity, chronology where stated, and the specific musical or historical context summarized in this entry. | Reviewed 2026-10-19
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